a blog about obscure muzik & graphix,random thoughts and free minds.

Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

Wednesday, 15 October 2025

TOM TYLER - Asleep At The Switch- (D.C. Recordings-UK-2000)


A complex and underrated album by Tom Tyler. Fusing a range of influences that touch electronic jazz, Hip-Hop, and downtempo, it will transport you to another desert of bliss and void. Tom Tyler`s Youtube Channel offers us more amazing music. His Bandcamp page is here, from there this introduction :

From 1998 to 2005 Tom Tyler released a series of EPs & 2 LPs on J Saul Kane's acclaimed DC Recordings imprint, and remixed artists such as The Cinematic Orchestra and Sofa Surfers. He was also a member of Stromba, who released the LP "Tales From The Sitting Room" on FatCat Records.  click me
 

 

Saturday, 19 July 2025

v.a.- Ode A Marco Veronesi - (Agnostic Dumplings Nursery-Italy-2014)


 Marco Veronesi was a key figure in the history of the famous label ADN from Milano, label covered in this blog a few times. Released in a limited edition of 300 copies with fold out poster cover. It was assembled by Piero Bielli and Riccardo Sinigaglia. A bunch of great artists playing various forms of experimental music. A fantastic sampler kindly gifted to this blog by Carlo. Big thanks dear friend.

:f*a^r_a¬w:a*y   click me

1    Tomografia Assiale Computerizzata–An Elegy  5:35
2    Riccardo Sinigaglia–Magik  3:59
3    Bene Gesserit–Lacrima  2:31
4    Francesco Paladino–Headfish / Eatfish 4:32
5    La STPO–Fetides Humbert Et Jacques  3:09
6    The Motor Totemist Guild–Black Phoebe 3:26
7    Sigillum S–Happiness In The KooKy Cracks Among Dimensions 4:25
8    Angelo Avogadri–Daintree 5:18
9    DDAA–Ballade To Hazy World 4:02
10    La 1919–Hcabial 2:10
11    Tasaday–Ode Iperreale 4:28
12    RLW–    Verbleichend 5:06
13    Christina Kubisch–Catching The Ether 8:53
14    Merzbow–Mix 05.23 4:20
15    Cellula Ascolto Attivo–Japa(n)cinko 8:56


 

Thursday, 17 April 2025

v.a.- Tooting Bizarre - (Tooting Bizarre-UK-200?)


 Eclectic compilaton by this very creative label:Tooting Bizarre was a non-profit co-operative of gigging musicians in South London. We released much of our music for free:Art Rock. Math Rock. Prog Rock. Post Rock. Electric. Acoustic. Folk. Experimental. Ambient. Hardcore. Softcore. If you are curious to know more then an Internet Archive page is here. Enjoy it.

:f)a*r_a:w{a>y click me


 

Monday, 1 July 2024

L.A. CHOIX - Wild Oats - (Vox Pop/Point Zero-Italy-1991)


L.A.Choix was a project created by Stefano Concobeach and Valeria, in this great album, they are in the company of a set of fantastic musicians to create their unique style of independent/alternative rock mixing some tribal music, garage rock made of experimental sounds where avantgarde and psychedelia get mixed with their personal touch.

Vox Pop was an Italian alternative label founded in Milan in 1989 by Carlo Albertoli, Giacomo Spazio and Manuel Agnelli. It closed on 25th february 1997.Point Zero was an Independent label from Milan, Italy run by Stefano Faini.

 A very good piece of vinyl,here as wave. Enjoy it!

F_a)R*a^W:a{y~ click me


Water Side    
A1        Flashback
Written-By – Crippa*, Faini*, Mezzadra*
1:45
A2        Lost Time Fag
Backing Vocals – Pierpaolo Rizzo, The Hairy Gnome
Bass – Roberto Crippa
Guitar – Armando "The Duke"
Guitar [Backward] – Doctor Ear
Keyboards – Paolo*
Written-By – Faini*
4:20
A3        Water & Fire Theme
Bass, Guitar, Backing Vocals – Max Vaccaro
Electric Piano, Keyboards – Aaron*
Written-By – Crippa*, Faini*, Mezzadra*
3:25
A4        Waiting
Bass – Fabiano Sala
Electric Guitar – Stefano Concobeach*
Written-By – Faini*, Mezzadra*
1:40
A5        Rainy Banshees (Static Melody)
Bass – Fabiano Sala
Cello – Carlo Preti
Congas – Sergio Sangalli
Guitar [Backward] – Doctor Ear
Guitar, Acoustic Guitar – Massimo Caprotti
Keyboards – Paolo*
Piano, Instruments [Sampled Trombone] – Paolo*
Soloist, Guitar – The Hairy Gnome
Violin – Davide Monti
Written-By – Faini*, Mezzadra*
3:36
A6        The King Deer
Backing Vocals – Pierpaolo Rizzo
Guitar [Backward] – Doctor Ear
Vibraphone [Glass] – Valeria*
Written-By – Faini*, Mezzadra*
1:28
A7        Beltane's Fire
Acoustic Guitar – Stefano Concobeach*
Bass – Roberto Crippa
Congas – Sergio Sangalli
Guitar, Instruments [Feedbacks] – F. Tenebris
Keyboards – Paolo*
Written-By – Faini*, Mezzadra*
4:15
        Fire Side    
B1        Temporal Trap
Backing Vocals – Pierpaolo Rizzo
Electric Guitar, Voice – Stefano Concobeach*
Written-By – Faini*, Mezzadra*
2:23
B2        Grey Morning World
Backing Vocals – Pierpaolo Rizzo, The Hairy Gnome
Guitar – Armando "The Duke"
Guitar [Grinding & Tremolo] – Doctor Ear
Keyboards – Paolo*
Written-By – Faini*
2:27
B3        Between/Beyond
Bass – Roberto Crippa
Bongos – Sergio Sangalli
Cello – Carlo Preti
Piano [Lizard] – Aaron*
Piano, Vocals, Twelve-String Guitar – Roberto Crippa
Violin – Davide Monti
Written-By – Crippa*, Faini*, Mezzadra*
5:04
B4        (I Saw) Water Underground
Cello – Carlo Preti
Piano – Marco Magistrali
Violin – Davide Monti
Written-By – Crippa*, Faini*, Mezzadra*
6:08
B5        L.A. Choix, Le Choix
Acoustic Guitar – Massimo Caprotti
Bass – Fabiano Sala
Congas – Sergio Sangalli
Keyboards – Pierpaolo Rizzo
Twelve-String Guitar, Instruments [Guild] – Roberto Crippa
Written-By – Crippa*, Faini*, Mezzadra*
3:16
B6        New Fly
Harmonica – Steve Onion
Written-By – Faini*
1:24

    Recorded At – Bips Studio
    Recorded At – Window Studio
    Mixed At – Bips Studio
    Mixed At – Window Studio

    Artwork [Image Electronic Elaboration] – Imagic (3)
    Backing Vocals – The Beltane's Crowd
    Drums, Percussion, Noises, Technician [Backwards Recordings], Other [Sorted Rubbish, Stepping And Smoking Around] – Stefano Concobeach*
    Graphics [Graphic Supervising] – Mr. Luka Monguzzi*
    Graphics, Illustration [Back Cover Illustrations] – Francesca Faini, Luka Petrillo
    Instruments [Sorted Feedback] – Doctor Ear
    Instruments [Waiting In Waiting] – Aaron*
    Percussion [Beltane's Miscellaneous] – Sergio Sangalli
    Photography By [Front Cover Pix] – A. Moneta*
    Photography By [Inside Beltane's Pix] – Cepo*
    Producer [Artistic Production], Executive-Producer – Stefano Concobeach*, Valeria*
    Recorded By, Mixed By – Fabio Magistrali (tracks: A1, A3, A4, A6, B1, B6), Paolo Mauri (tracks: A2, A5, A7, B2 to B5)
    Voice, Vocals [Harmonies, Whispers], Noises [Shout & Noises] – Valeria*

Tracks A2, A5, A7, B2-B5 recorded & mixed from November '89 to March '91 at Bips Studios, Milano.
Tracks A1, A3, A4, A6, B1, B6 recorded & mixed from June '90 to March '91 at Window Studio, Cesano Boscone.

Printed inner sleeve & insert.

L'Ancien Choix was made by:
Valeria
Stefano Concobeach

Involved (apparition order):
Armando "The Duke" (Investigators)
Paolo (Pila Weston)
Roberto Crippa
Doctor Ear
Aaron (Fragole E Sangue)
Max Vaccaro (The Mi.s.s.)
Sergio Segalli
Massimo Caprotti
Fabiano Sala (The Concobeachers)
Carlo Preti
Davide Monti
The Hairy Gnome (courtesy of The Pow)
Pierpaolo Rizzo
F. Tenebris
Marco Magistrali
Steve Onion

This record is dedicated to the twenty-year-old (good) guys.

  

Thursday, 3 August 2023

v.a.- Statics - (CCI Recordings-Japan-1995)


 Great compilation with a bunch of cutting-edge artists playing experimental electronics!!CCI Recordins was Japanese label run by Ryoji Ikeda. Now Defunct. Enjoy it.

:f)a*r¬a_w(a*y  click me

Tracklist

1    Darrin Verhagen–    Soft Ash
2    Akira Yamamichi–    Phenomenized Soundscapes
3    Ryoji Ikeda–    Untitled
4    Jim O'Rourke–    Sinking Lights In Lambeth   
5    Kazuhiko Kinami–    Le Banquet Céleste
6    Alan Lamb–    Beauty (Short Version)
7    Christophe Charles–    Undirections/Stationary    8:03
8    Paul Schütze–    Sleep IV
9    David Toop–    Iron Perm
10    Andrew Lagowski* & Toru Yamanaka–    Rain


















 

Wednesday, 1 February 2023

STARFISH POOL - Interference `96 - (Nova Zembia-Belgium-1996)



  The electronic project of Koen Lybaert - that evolved out of Starfish Enterprises - that was active between 1993 and 2003. Starfish Pool was working in the experimental area of minimal, rhythmic, ambient and noise in all its aspects. Since the very start it is the manipulation of loops - the basic idea of the way tracks were created as Starfish Pool. This concept that has nothing to do with the sound but more with the way that tracks where practically made. In 10 years' time Starfish Pool had more than 25 releases. 

 Nova Zembla was a sub label of KK Records in Belgium. Initially launched in 1993, releasing material licensed from the pioneering Australian trance label Psy-Harmonics.with artist's such as Zen Paradox, Lumukanda, Third Eye, and Shaolin Wooden Men,
As the label began to establish itself in the European tech-trance seen. new artist's were added to their line up, and the music became more diversified, and releases started to feature material that ranged from hard trance like Delta Plan and Bulbawee to sci-fi ambient like Starfish Pool and hard chill trance such as Self-Transforming Machine Elves. and Goa trance by Elysium, Rounding things off with artists like Worm, Black Lung, Xingu Hill, and Sympathy Nervous who were more techno oriented, and their material was more experimental or ambient in nature, rather than trance.
Label shut down in 2000. (all info from Discogs)  click me


 

Sunday, 13 November 2022

RONRUINS - Ketsunoana - (Pandemonium Records-France-1998)


 Super trio playing prog-tech experimental fast music with many times changes and incredible new dimensions mixing jazzcore with prog-rock passages.I have, already written about the fantastic band called Ruins when I posted their old tape The Best Of Ruins, and I have also written about their super skilled drummer Tatsuya Yoshida. In this cd they are jojned by Ron Anderson, a multi-instrumentalist intuitive music maker who plays traditional instruments like the electric guitar but also will use anything that can make a sound - including the recording studio. He has nearly 60 recordings released. He has his own Record Label "RA Sounds": ronanderson-molecules.com, Bandcamp 


Tatsuya Yoshida (b. Jan 9, 1961) is a prominent Japanese avant-garde/jazz/experimental drummer, composer, producer & sound engineer, one of key figures on Japan's underground scene. Founder of the innovative rhythm section duo Ruins (plus a few Ruins-related projects), zeuhl band Koenjihyakkei, prog/fusion/polyrhythmic jazz trio Korekyojinn, acapella vocal group Zubi Zuva/Zubi Zuva X, etc. Runs Magaibutsu label and the eponymous studio.

Since the early eighties, Yoshida had played and collaborated with many critically praised Japanese bands, such as Zeni Geva, High Rise (2), YBO², Musica Transonic, Vasilisk, Dissecting Table, various Acid Mothers Temple units, ZOA, and Aburadako. Nicknamed "devil from the East," Tatsuya Yoshida is an extremely prolific and technically skilled drummer, praised for his vicious raw energy and the ability to play superhumanly fast while keeping even the most complex rhythmic structures sharp and pristine.

The drummer has worked with the entire avant-garde 'hall of fame' of the last four decades, from Fred Frith and Derek Bailey to Keiji Haino and Otomo Yoshihide. John Zorn, who praised Tatsuya as an "undisputed master drummer of the Japanese underground," invited him to play in the seminal jazz/grindcore unit PainKiller (2) on several occasions after Mick Harris' departure, and had a huge impact on Yoshida's recognition overseas.

Tatsuya was a long-time collaborator of a controversial noise artist Juntaro Yamanouchi. He participated in one of The Gerogerigegege's very few documented early 'secret shows' (which were happening at fetish/S&M gay clubs), released on '91 Live Greatest Hits CD. In January of 1987 at a private Hanzōmon residence in Tokyo, Yoshida (equipped with vibrator, whip & enema) joined J.Y. on toy instruments to create a rather sparse accompaniment for Gero 36 who screamed and moaned in pleasure and pain while masturbating and self-pleasuring/torturing in every unimaginable way. According to the 'Live History (1986~1990)' list in the booklet, it was the Gerogerigegege's third-ever concert: just a couple months after Nov '86 'maiden voyage' at WASEDA University Auditorium and the same week the band played at Antiknock in Shinjuku. Tatsuya Yoshida also played drums and announced tracks on '94 thrash/1-2-3-4 noisecore Instruments Disorder (170 Songs CD)—perhaps the loudest and harshest Gerogerigegege's albums to date. Finally, Yoshida mastered several of the band's albums, including an hour-long minimal ambient/drone None Friendly '99 CD, and their last official release prior to 2001–16 hiatus, Saturdaynight Big Cock Salaryman CD EP.  official webpge: magaibutsu.com Pandemonium Records was a French noise-rock label from Marseille, launched in the 1990's by Philippe Petit. (all the info from Discogs)  
click me



Saturday, 1 October 2022

v.a-WHNZ:74:WAR-(We Have No Zen-Ukraine-2022)


 

This compilation was conceived as an address to Ukrainians and the people of our planet at the same time. Initially, I invited musicians to send free-form tracks with their own attitudes to this horrible war, which was brought to Ukraine by the "brotherly" country of RuZZia. The choice of musicians I invited was based on my personal love and respect for their work. In the beginning, I wrote to specific people, but then there were artists I had never known before who wanted to join the project because of its message. The initial goal of making a compilation of words of support, reflections on the war, and musical patterns that in a certain sense could be called "the soundtrack to a newsfeed from Ukraine" suddenly grew into a really free format, because you cannot force free people to think in any given way. I wasn't trying to. I simply outlined a vector, and then everything went as the participants of the compilation thought was right. They themselves chose both the form and the content.

I am immensely grateful to everyone who agreed to take part in this project. To everyone who decided to express verbally or musically their attitude to the atrocities that are happening in my country right now. This collection for me personally is a slice of the mentality of the reasonable world, the quintessence of reaction of a mentally healthy person, not only to the war in Ukraine but also to the current state of humanity in general. Our world is fragile and today, more than ever, the bastards are testing its strength... And the words/sounds of support that are included in this compilation are like threads that help stitch together a torn peace in Ukraine. A torn peace in Europe. A torn peace in the world...

I would very much like for as many people as possible to hear everything that ended up and will end up in this collection (it has been in "semi-finished" status since the beginning of April 2022). I think the writers of the messages on this compilation had words for everyone.

For all the fans of experimental music in Ukraine (unfortunately, they are few, but still, they are)...

For all the fans of this music on the planet (I think there are many more of them)...

For all the refugees from the east of Ukraine, from Mariupol, from Kherson, from Kharkiv, from Chernihiv, from Sumy, from hundreds of other towns and villages, who had to leave everything they lived with and for and seek shelter in other cities of the country, or even outside it...

For all those who are now defending Ukraine, with or without weapons...

For all who are now grieving the loss of loved ones in Bucha, Hostomel', Irpin', Borodyanka, Moschun, and other small towns near Kyiv, executed by Russian war criminals who consider themselves "soldiers" of the empire, who came to our land to liberate it from us...

For all those who have always spoken freely in my country in Russian, but after this war began, switched en masse to Ukrainian, right down to the last gopnik and previously unprincipled bum...

For all those who today, without regard to the risks, have saved the helpless and frightened...

For all those who believe in the victory of good over evil...

For all who believe in a free Ukraine...

———

Finally, my label was originally conceived as a free one. But today I want to ask everyone who likes the music published on it to help Ukraine in some way. All albums are still free, but there is a "Pay what you want" option. All money that has already come or will come for any album from the catalog was/will be sent to volunteers and territorial defense. Yes, there are armed forces in my country that have been quite successful in repelling enemy attacks. But the needs of the refugees and - more important - the territorial defense, which consists of ordinary civilians who have come out to stand their own ground, are always there. We must defend ourselves. Help us if you can and want to. You can buy any album from the label's catalog or you can download it for free and donate directly to wehavenozen@me.com. The choice is yours.

Please support. Please share. Please spread these words/thoughts/sounds.    click me

———

Update 2022.08.13: I've been asked several times why the tracks were arranged simply by the names of the musicians. It's hard for me to answer, but I think I can say something resembling more or less the truth. Since for me every track and every feedback from all the artists who responded to the offer to participate in this compilation is important practically on the same level, I didn't dare to make some sonic paradigm and just arranged the tracks in alphabetical order by the names of the artists. Surprisingly... It's amazing that once again, serendipity works. It's time for me to stop being surprised. My personal opinion is that this order is awesome. If this one doesn't work for you, make it another way. This compilation is about freedom. Be free.

Love and hugs from free Ukraine!

Thank you all, fellows, you did/doing so huge help.

———

African // We Have No Zen!
Here's the 42nd day of the war.
 


Released April 6, 2022 

 

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Thursday, 21 July 2022

derList - ...End Of Story - (Alampo Records- Italy-2010)


 Derlist is a confusional state of mind, the man left at the mercy of events.
It is blood gushing forth from an injure, a scar unable to be healed.
It is an exactmoment after which everything is not like ever before.
Words are un-necessary, none of the above can be mentioned that way.
Everything is dark and empty, an unheard scream, it is like going adrift losing yourself where no one ever will find you.
It is the state of mind of those who lose their minds.
(from Alampo Records webpage)

 Alampo Records is an  Italian label focusing on ambient and experimental electronic music (info from Discogs)  

 MySpace, fabianvandermeer.com

 

Recorded at DerZone between 2005 & 2006
Produced & post-produced - april 2006
Limited to 97 hand-numbered copies. click me
 1
It Was A Dream5:35
2
Empty5:19
3
It's Strange0:29
4
Malady3:31
5
Come Back Tomorrow0:20
6
DerList5:08
7
I've Left My Mind Somewhere0:26
8
Fancy-free3:43
9
Waste0:43
10
...End Of Story3:38
11
Error - 103:12
12
Still In My Heart4:26
13
You're Quite Right2:26

 

Tuesday, 31 May 2022

JEWELS OF SHAME - Negative Dialects - (Wormhole World-UK-2019)


 Ever since childhood, Jewels Of Shame has been fond of machinery noises. When he was a child his dad used to take him to the factory where he worked, and JOS would sneak in engine rooms and fall asleep to the pounding sound of the machines. As he was growing up he started falling asleep to the sounds of black metal, sludge, and industrial/noise giants such as Merzbow, Maurizio Bianchi, and Throbbing Gristle. So when he first acquired a PC, he thought he might as well try out make his own sleepy music. He started making field recordings on a cheap dictaphone and of the train station, bar air conditioners, and of the basement of the Physics and Engineering departments of the university in his hometown, which he mixed on the easiest-to-use sound programs with samples from video games and accidentally conceived loops. He gradually started adding recordings of barrel banging, breathing in the microphone, meowing neighborhood cats, and later instruments, such as the guitar, accordion, piano, flute, and other ones. Being a bit of a socially awkward guy, he never published any of these tracks, apart from playing them to his punk friends, and he eventually ceased his bedroom ambient/drone/noise career in 2009, as work and studying obligations prevailed. Nobody can tell for sure what got into him and he decided to send Wormhole World his private recordings ten years later. Hopefully, he will not dig out of his vault more jewels of shame

click me 

Wednesday, 25 May 2022

v.a . - Icare - (Orcadia Machina-France-1990)

 

This compilation is dedicated to the myth of Icare (Icarus) and inspired by the poem "Icare Est Chu Ici, Le Jeune Audacieux" by the french poet Philippe Desportes (1546-1606). This poem is used as lyrics in all the songs, but not always in its original french version.

Released in a VHS, thin plastic, clam shell case with a regular cassette jewel case inside.
The VHS case has a 1-sided sheet for the cover insert with a white feather placed in the back sleeve, a copy of the "Icare Est Chu..." sonnet glued inside, and an artist contact sheet insert.
The cassette jewel case has a 1-sided 4-panel j-card insert and this is released on a paper labeled black plastic type II cassette.
Artist tracklisting credits, time, and Icare myth are printed on the j-card.
There are no track titles printed on this release.


Androzophil is spelled differently on the contact sheet as Androzophyl.(from Discogs)  
click me


 


A1Anna OIcare4:30
A2A Distant Winter*Icare4:40
A3Collection D'Arnell Andrea*Icare4:45
A4Schaum Der TageIkarus4:40
A5Opera Multi SteelIcare4:00
A6Man's HateIcarus2:50
A7Emotionnellement SataniqueIcare6:15
A8X Ray Pop*Icare3:05
A9M. Nomized*Icare4:05
A10Bureau Des LongitudesIcare5:15
B1ElectrumIcare3:20
B2AndrozophilIcare3:50
B3Modern Art (2)Icarus4:45
B4Lumpy DavyIcarus3:55
B5Shadowplay (2)Icarus3:15
B6Trespassers WIcarus5:10
B7Sack*Ikarus1:30
B8T (13)Icare5:00
B9Pascal Et La Cage VerteIcare3:30
B10Sha 261Icare1:40
B11Les Petits Chanteurs De L'EspaceIcare2:30
B12Dancing ChromosomesIkarus2:35
B13Sweet GwendolineIcare2:35