Split Tape with Slaughtergrave (Grindcore band from Thessaloniki, Greece) and Warpeace (Crust punk band from Rome, Italy).
Limited edition of 50 hand-numbered copies, printed in purple glossy paper.On
the spine, the band Warpeace is mistakenly referred to as Warzone. So it
states the split as Slaughtergrave / Warzone, which is obviously wrong. Enjoy it.
Fantastic compilation from the very underground Greek punk scene of the last century.The title means Domestic Disturbance. It was a join effort as a co-operation of two greek squats, Villa Amalias (Athens) and Villa Varvara (Thesalloniki)! It came out with 16 pages booklet with graphix and writings, here I am attaching the introduction in english language.Big Thanks to my friend Ion for the help with the language barrier. Enjoy it.
I was lucky enough to attend this fantastic gig in Athens on friday 22 September 2023. Video and sound recorded and mixed by Antonis Vasilakos and Kostantinos Katsantonis. A big THANKS to Alexandros for passing me this excellent video. Enjoy it.
Self Released cassette by this band from Greece, I have very few info about them and this release.I guess it came out in the 90s and as music just reflects a certain kind of crossover punk very much used back then.
Good recording and good music skills, I have asked my friend Ion to translate the few info on the cover sleeve. Here what he wrote,big thank ION :)---Eventally,as this tape seems to be very rare I left these tracks as waves. Enjoy it.
About the translation that you asked me in the last email, it is
almost impossible to do it because although the letters are Greek, that
text is very similar to english (something like to write english with
Greek letters), but with completely wrong spelling and a lot of black
humor. But in any case I will try:
-Spine
Artist: Θανφιρο - Janjiro (but in Greek pronounce like "thanfiro")
Title: Ατομιχ Γενερατιον - Atomic Generation (but in Greek pronounce like "Atomich Gneration")
-Cover
Artist: Janjiro
Title: Atomic Generation
-Inner Cover
Track list:
1- Ελεπυαντ Μαν - Elepyant Man (but I think that is "
Elephant Man" with Greek letters)
2- Πυκε - Pyke (but I think that is "Puce" with Greek letters)
3- Ατομιξ - Atomix
4- Στοπ - Stop
Info Inside Cover (none of the Greek words info means something in Greek)
"Θανφιρο Ρεμερχιε
Τους Χες Φανς (Αη! Αη! Αη)" / Thanfiro Remerchie Tous Ches Fans (Ai!
Ai! Ai!) (I think that is something like the "Janjiro thanks theri
fans")
Μαναγεμεντ / Management (Management): -a greek telephone number-
By the way what kind of music is this tape? Never heard about this album or the band in the past!!!
ATOPIA is the evolution of a legendary 90s Greek anarcho-punk band ANATELLON TROMOS, before Alexandros joined in. I wrote about Alexandros when I interviewed him about another of his ex-band Straitjacket Fit.
At the moment Alex has 2 interesting tribal/industrial projects : Grim Machine and Black Faun, both projects already covered in this blog.
Atopia plays a personal form of HC punk mixed with some prog-thrash metal, interesting is the use of the violin played by Despina,it comes out as a special sound but somehow it fits there,making this cd well worth exploring.
I have to admit that it took me a while to get the whole picture of their music,somehow it is intense.Probably understading the lyrics will make a huge difference.
A big thanks to Alexandros for this great gift sent to me via d E last summer and a big thanks to Ion of E.T.C. for writing in romanic characters the Greek titles and traslating them into english + translating the introduction for this cd by the band:
I'm scared of the nice words
that can't stand the weight of the moments
I'm sorry for the lovers of the Truth
that deny to see its ugliness
I'm boring of the big feasts-
the addicted clients of the Arena
I want my screams
to not be accessible to everyone
I admire the wounded birds
that dare to feeded by their flesh
There are no able-bodied(/wellshaped) winners
There are no "magic" solutions
To get the music ,please visit Atopia Blog where you will find this album in streaming and as a free download.
Enjoy it.
:f*a^r"a¬w:a{y_
songtitles:
Εισαγωγή - Eisagogi - Intro
Καλοκαίρι - Kalokairi - Summer
Σιχαίνομαι - Sichenomai - I'm sick of
Πυροβολήστε τον - Pirovoliste ton - Shoot him
Παιχνιδούπολη - Paichnidoupoli - Toyland
Δεν είμαι είδος - Den eimai eidos - I'm not a species
Στην αυλή των παρείσακτων - Stin avli ton parisakton - In the court of the intrusives
Μία στιγμή - Mia stigmi - One moment
Έγκλειστος κόσμος - Egklistos kosmos - Detained World
Hardcore/Crust band formed in 1996 in Athens, Greece.
Lyrics of the band refer mainly to the current problems of the
society: racism, xenophobia, social inequalities, overconsumerism,
exploitation of human labour and lack of human relationships, as well as
to the ecological destruction.
On 8/3/199? they performed live at Porto Patrasso (Patra) along with 'Daltons' & 'Hell To Pay'.
In June 1998 they toured Europe for their first time.
In 1999 they toured Europe for second time.
In December of 2003 their first LP "Into the silence of eternal
sorrow" was released and after that the band stopped playing for the
next 3 years.
In September 2006 they started playing again with basic members Αλέκος Σισμανίδης, Gianna and Meletis (Straighthate).
Many live performances followed and in November 2008 Haris (Sarabante) joined the band as the second guitarist.
On 30-31/7/2010 they performed live at 'Play Fast Or Don't' Festival (Czech Republic).
Pine Island Under the Midnight
Sun was influenced by a large glacial calving in the West Antarctic Sea
and how it was captured by the Operational Land Imager on Landsat 8.
Credits: NASA Earth Observatory/USGS
Cover Photo, 19 December 2017
Recorded May to July 2018, Athens
Live Mix/Recording by d E
Mastering at Sweetspot Studios
Special Thanks
Alexandra, Alexandros, Iason, Ion, Kostas, Lydia, Stathis
Released by
RU.MO.RE (ectrecs@gmail.com)
1000+1 Tilt (tiltrecordings@gmail.com)
released November 6, 2018
d E =Soundscapes, drones and noises as these are perceived synaesthetically. Inspired by techniques like automatic writing, all
the tracks are live
mixed and recorded as one-shot meditations, aiming to capture the
feeling and the entropy of the moment intact.
Second album by this Greek band from Athens. 7 tracks of pure old school goth rock,well played and well crafted.A good record if you are into new wave/goth rock.
I wrote already about this Greek collective when I posted the compilation tape Biologica.This is their first fanzine and it came out in Greek and English.You`ll find here the english part,only.
All the info about it in their introduction.Enjoy it.
Mini album self released by this Greek band from Athens.They play goth rock and were active last decade.I have no much info about them,but if you are into old school new wave then you`ll like this one.
Black Ideals were formed in
Athens, Greece in the summer of 1983. The original line-up comprised
Pavlos Avouris (voice), Christos Vougas (bass), Petros Magoulas
(guitar), Stathis Salvanos (drums). From January 1984 we carried on as a
trio (omitting the guitar), until the Spring of 1985, when a second
bassist was added (Maria Vassilakis). We played two gigs (Megara,
13/1/85; Patissia Students' Hostel, Athens, 27/4/85) and published two
fanzines ('Why', 'Lauvepression'). We self-released a cassette in 1985.
Our songs were included in three compilation cassettes ('Instead Of A
Magazine', US, 1984; 'S2D - Sous Deux Dictatures', France, 1985; 'Ground
Zero', West Germany, 1985). Our last rehearsals took place in the
summer of 1985.
(self-released single-sided vinyl LP released on July 4th 2012, 328 copies)
Tracks 1 to 7: practice, 1984-85
Tracks 8, 9: live in Megara, 13-1-85
Contact us at pavlos277@gmail.com
Originally released in 2005 by the Greek label 1000+1 TiLt as CDr this classic piece of electronic beauties it is been re-issued in 2015 by the same Greek label with the joint effort by the German Minor and new cover-sleeve artwork by Monotonik.
I wrote many times about 1000+1 TiLt as I have already posted quite a few old tapes by this amazing label, lately, Jason opened a Bandcamp Page where you can listen/buy many of his new releases.
To complete this post I am adding a few scans of the cover sleeve of the 2005 CD-R with some info not available on that Bandcamp page.
2 Issues of this rather obscure Greek fanzine focused on the early industrial music scene, the goth rock and the new wave. Named INBI(translated INRI)the first issue was released in April 1986 in Athens, containing 32 A4 xeroxed pages. The second one was released in early 1987. The mastermind behind them was the painter Alexandros Dimitriades from Volos(Greece), a third issue was planned but never released, some pages were painted by hand after the printing. The first issue contains an interview to Dead Can Dance, some lyrics by the Greek new wave band Koumpotripes A.E., the discography and biography of And Also The Trees, translated lyrics of Swans, Coil, Death In June, some music reviews, texts and poems by R.R. Hearse and a few more rants.
While the second issue offers to us a translated story of H.C. Andersen, some more poems and text by R.R. Hearse, an interview to Nick Cave, some astonishing drawings and some other poems and lyrics. These very rare jewels were kindly donated to this blog by my friend Ion of the E.T.C. Group who also provided the very useful info about the subjects covered in these pages. A very big "Thank You" to Ion for sharing such amazing and rare zines. These are only in the Greek language so enjoy them if you are Greek literate. :f(a*r~a{w_a^y~ click me
Great CD-R compilation including lots of bands who played at the squat in the Biology School in Thessaloniki. Many bands playing different forms of punk, HC punk and similar styles.
The various recordings are very good.
I guess this sampler was given away for free as on the back cover is clearly stated Do Not Sell, Copy, Destroy Music Industry.
A big thanks to my friend Ion for transcribing the Greek titles in Romanic characters for me to index the MP3s.
Straitjacket Fit is a Greek Hardcore/Punk band formed in 1999 in Patra, Greece.
They self-released their music and do gigs in squats and free places with no forced economic payback.
They do not sell their music through the "music industry network" and do not play in clubs for money.
They refuse to participate in the "music labels slavery trade".(from Discogs)
I am lucky enough to know the singer of this band, in fact, I have already written about him when I posted the music by Grim Machine and Black Faun. Straitjacket Fits play a form of very personal punk mixing various influences waved within great English lyrics. Since I was very interested to know more about this amazing band, I asked Alex to answer a few questions, so you can read here a small yet interesting interview. #0 is their first album available on their Bandcamp Page as a free download just as all their other productions. A big thanx to Alex for passing me such a great band and for the relevant interview.(f*a¬r{a*w~a:y)
1000flights-When
do you formed and how long have you been together??
1. We
formed at 1998, on the remains of a previous band we had, Alex
(voice), my brother Dimitris (guitar) and Argyris (drums) playing
post-punk/darkwave since 1995-6. It was called PICKMAN'S MODEL and
unfortunately, there is only a cd recorded back then, not on the
internet yet, but you can get an idea here
Around
1998 came Yorgos "Pontikos" from THE DALTONS (hxc punk) and
replaced our bass player, so we changed the name and became Straitjacket
Fit, focusing on a more post-hardcore/experimental punk sound. We
played at literally every squat/steki in Greece from 1998 to 2013
where we ended playing live shows and disbanded.
1000flights-Which
one
are the bands/artists that most influenced you?
S.F.: We
were all avid music consumers(ha!) so the sound was a mix of what we
listened to and everything else we thought would fit regardless of the
style. Post-punk, anarcho-punk, hxc crust, post-metal, ska, jazz, apart
from the big names such as Neurosis, Faith No More, early Sonic
Youth, Gang of Four, etc, it's useless to keep namedropping
since we were very different in our tastes but very close in our
purpose and vision. Let's just say, from Grind to Ambient and back,
hehe!
Also
lots of anarcho/DIY bands that toured around Greece and we played
with, had been an influence in one way or another, such as the mighty
JE M'EN FOUS from France/Switzerland.
We
were doing the original artwork for every release,(well, I
was..) from the photos, collages, paintings to the final graphic
design and packaging to distribution, a mix of art-loving
provocation, Ad Busters magazine aesthetics, Dada collage, artists
such as Yoshitomo Nara, stencil art and a healthy dose of dark humour
or just dark.
1000flights: Were
you active in Villa Amalias or any other squat in Athens??
S.F.: We played Villa Amalias
the first time in 1999 I think, and then many many times
followed. We consider ourselves, up to this time, a brother-band to
the people that run the place, very close to us, and to bands that
played there, ANATELLON TROMOS (Rising Terror), CHASMA, THE
PARKINSONS, VALPOURGIA NYCHTA (Valpourgis Night), TIMETRAP and more
that we felt we were doing something meaningful together at the
time.
Right from the start, we
took part in the first anarcho diy space"steki Sachtouri"
kind-of-squat in Patras , from its beginning in 1998. We had our
studio there and did a lot of gigs, as well as involved in the diy
concert organising team "Porto Patrasso", at Parartima in
Patras, a major anarcho-political concert place. Learning to record,
sound engineering, set a gig or a recording session from scratch, it
was all part of the game.
For me personally the Villa
years, from the first gig up to its evacuation, was a period that had
a great impact on me as a person and as an artist.
1000flights: How
many gigs did you play? did you ever played outside Greece??
S.F.: We had played, I don't
know, more than 50 less than a hundred gigs around Greece, squats,
free spaces, open areas, public squares, only political DIY. We played
in Liege in Belgium first time in 2002 if I am not mistaken since
our bass player lived in Amsterdam for some time. We toured 2 weeks
Holland-Germany-Belgium in 2008 with KILL THE CAT (ska-punk).
1000flights-The
releases available on your Bandcamp page were printed as tapes/CDs or
vinyl or were these
released only as digital files??
S.F: All the releases on Bandcamp- except the last one "The End" which is a
digital one- are on CD format. Also, the comps we have participated
are CDs but not available now I guess. We consider releasing "The
End" on vinyl by the end of the year, maybe early 2021..we'll
see about that.
1000flights-Are
the lyrics political orientated or what are the subjects in there??
S.F: The lyrics are totally
political, dealing with two main concepts from personal to public,
alienation and social revolution.
I will not repeat the too
commonly used anti-nazi, anti-species, anti-capitalist, anti-whatever
the slogan, we were all that, since contributing to the whole DIY
ethos-self organization and keeping a strong stance as a band from
the beginning to the end. We felt that a more personal way of writing
about these themes was the best to express ourselves artistically and
not losing the target. So the lyrics are a bit more surreal and existential than straight forward, but still political and direct on
their message. Yet not preaching but questioning and inspiring, I
suppose.
1000flights-After
that the band disbanded, you Alex started a few industrial/noise
orientated projects (Grim Machine, Black Faun, The Zyklons)...would
you like to say what inspired you to start such projects ??
Is
any other members of the band at the moment active in other
music/artistic projects/bands?? If so, which ones??
S.F.: While being at Straitjacket Fit, I started a duo of
experimental/playful noise called Black Faun with my crazy friend
Charis (hELLaSH), around 2007. Since then we do live acts and we have
4 releases. It all started as a parallel project to Straitjacket Fit,
so as to express a different point of view soundwise and artistically
speaking. It was the first vehicle for me to play free improvisation
and noise music.
In
2013, in the middle of the financial crisis in Athens, I started Grim
Machine, my personal project, because I wanted to try playing on my
own after the band disbanded, and also to express my personal
emotions about the political situation we were living at. It started
as an industrial/harsh noise project and now it has evolved into more
ritual noise/free impro territory.
Around
2016-7 I met Perseas Rizos, a poet, visual artist and sax player, and
since then we are playing together as the free form/exp.jazz duo The
Zyklons.
I
consider it as an evolution in my playing and interacting in terms of improvisation.
After
Straitjacket disbanded, me and Yorgos played together at the band
SARKA STO ZWO (post hxc) for 3 years and after that we recruited
with Argyris in HAUTE TANZ (post-punk/noise rock). Argyris also plays
in a punk band and Yorgos never stops practising! Regarding the
Straitjacket Fit members, the important thing is that we are friends
first and foremost, so we will never stop playing music together one
way or another.