a blog about obscure muzik & graphix,random thoughts and free minds.

Showing posts with label synth pop. Show all posts
Showing posts with label synth pop. Show all posts

Friday, 21 April 2023

NO COMMENT - Harmony EP - (Psyquil Records GbR-Germany-1992)


 No Comment was a German EBM/Synth Pop band that has been active since 1989.This production comes with a small booklet reporting lyrics and info.

Psyquil-Records GbR is a company behind Psyquil Records,active in the early 90s.Enjoy it.

:f(a*r^a:w~a/y  click me


 


Monday, 21 December 2020

KRATZER ‎– Irrtum!-(Irre Tapes-Germany-c20-1982)

 

Kratzer was a short lived early 1980s synth pop / new wave project by Peter Lieske, Uwe Lieske and Klaus Pöschner.

 Irre Tapes is been covered in tusi blog many times now.run by Matthias Lang which evolved out of the IRRE Fanzine he published regularly during the early 1980s covering New Wave, Post Punk and the German Underground.
With his 3rd Tape Compilation Ein Herz In Not he started IRRE Tapes which was mainly active in the late 80s/early 90s and released material by the likes of Brume, Maeror Tri and City Of Worms and loads of lesser-known and stylistic different artists (Unpleasant Surprise, The Fuckedtones, Magic Moments At Twilight Time, Doc Wör Mirran) covering the whole range of the Independent Underground from Experimental Electronica to Guitar Pop.
In true DIY spirit, he supported the international network of small labels and fanzines through editing the free IRRE Newsletter to spread info and contacts and writing occasional reviews for various publications. Most of his Compilations should be seen as an attempt to promote lesser-known artists and labels. Without a doubt, he was one of the driving forces of the German Tape Scene.
He finally called the label days quits in 1994/1995 but soon re-appeared as collaborating and networking artist Mr. Moto (2).(from Discogs)click me

Saturday, 9 March 2019

v.a.-Bet-On Us-(Beton Tapes-Germany-1991)

Long sampler released by the legendary Beton Tapes, a label based in Hamburg and run by Alexander Pohle and Haiko Herden.
A good selection of artists and tracks mixing electro, goth rock, industrial, synth-pop, new wave and more electronic music.
Enjoy it.
:f:a~r:a:w~a:y:
click me 

Companies, etc.
Notes
Round about 150 copies have been produced and distributed.

Sunday, 5 January 2014

KING EBU-instrumentals(c30-Ebu`s music-Germany-1990)

Another very old tape!!This one came out on Ebu`s music ,little cassette label active in the 90s in Germany,managed by Carsten Olbrich,who is also the artist beyond this music.
Carsten used all those other names
as aliases for other projects.
This tape is a kind of electro pop made with a synth and a drum machine and then remixed with an old fostex-a 4 tracks recorder very well known by  artists of this era,experimenting electronic music.
Only for the lovers of mellow and melodic electronic experiments with analog instruments.

;f\a/r/a/w/a\y:

 click me

Wednesday, 1 January 2014

NOSTALGIE ETERNELLE & FROM NURSERY TO MISERY-Art is the tool(split tape-diy-1990-c30)

Originally released on One Last Dream label back in 1990 and with a color picture as cover, this is instead the copy that Gina Fear sent to me back in 1996 and it has a handmade cover, the name of the label is not listed and neither the year of release. Here I am attaching a review that I have found on Discogs.

Ah, now, this is a little better. The NOSTALGIE ETERNELLE side is well-played - a little moody, a little poppy. The vocalist sounds not unlike ADI NEWTON singing up an octave. The music reminded me at times of JOY DIVISION & BAUHAUS, with elements of early FASHION, without getting too close to any of these. The bassline on one of the tracks could have been pinched from THE SLITS "Love & Romance". Although in this it appears in a different and (dare I say it) better context. The vocalist is the definite focal point - these people have a bright future - invest now.
The F.N.T.M. side shows a little maturity over "Equilibrium". The music is still good, well-constructed synth mood pop, but, as ever, it's the voice of GINA FEAR which dominates. This time they use a lot more harmonics and it improves the sound no end. GINA's flat vocal style (?) takes some getting used to, but it has to be said - it grows! Considering all three review tapes, this would be a good starting point for those interested in F.N.T.M. (or NOSTALGIE ETERNELLE!).

Originally reviewed for Soft Watch.


It is a very good tape of "ancient" synth pop!!!
Considered a classic by lots of people.


_f^a^r^a^w^a^y_

click me