An old zine focused on the first wave of industrial music.
Released by R&D Group 28 in London probably around the mid-80s.
Interviews to Culturicide, Blixa Bargeld, long and detailed research about Throbbing Gristle discography, collages and graphix + various rants and info about small independent music labels, zines and related artists.
First Peel session by this amazing Scottish band, I have already posted the second one and some of their studio productions. As the description there fits very well in this post I just gonna C+P it here. I am adding a great video made for the song"Bears Den To Bagdad" discovered on their FB page.
Back in
the early 90s, I was in touch with Dawson, They kindly sent me an
amazing tape with some live recordings by various Scottish post-hardcore
noise bands, the tape also contained 2 Peel sessions by Dawson!
Unfortunately, I lost the letter that came with this cassette but I
reckon these recordings were not released and I cannot find any info about it. I left them as waves.
I already wrote about this fantastic band: compared
to names such as Butthole Surfers and Minutemen, Dawson throws in their
songs sheer violence and electric energy mixing some Avant-guard fast
chaotic guitars riffs, math rhythms, weird vocals and experimental
jingles that make their music original and difficult to categorize.
Coming
out from the very lively Noize Post Hardcore punk scene from the end of
last century, they shared common interests and sweats with Stretchheads, Whirling Pig Dervish and Archbishop Kebab, all very original bands hailing from Scotland. An FB page about them is here,
where you can see old flyers and pics, a new band formed by the 3rd era
Dawson musicians are called Sumshapes and their Bandcamp page is here, you can listen/buy their album Cabin Biscuits released June 30, 2017.
I guess
there is no need to talk about John Peel and his famous radio show, all the music lovers around the world should know John Peel already. The recording of this tape is excellent.
Straitjacket Fit is a Greek Hardcore/Punk band formed in 1999 in Patra, Greece.
They self-released their music and do gigs in squats and free places with no forced economic payback.
They do not sell their music through the "music industry network" and do not play in clubs for money.
They refuse to participate in the "music labels slavery trade".(from Discogs)
I am lucky enough to know the singer of this band, in fact, I have already written about him when I posted the music by Grim Machine and Black Faun. Straitjacket Fits play a form of very personal punk mixing various influences waved within great English lyrics. Since I was very interested to know more about this amazing band, I asked Alex to answer a few questions, so you can read here a small yet interesting interview. #0 is their first album available on their Bandcamp Page as a free download just as all their other productions. A big thanx to Alex for passing me such a great band and for the relevant interview.(f*a¬r{a*w~a:y)
1000flights-When
do you formed and how long have you been together??
1. We
formed at 1998, on the remains of a previous band we had, Alex
(voice), my brother Dimitris (guitar) and Argyris (drums) playing
post-punk/darkwave since 1995-6. It was called PICKMAN'S MODEL and
unfortunately, there is only a cd recorded back then, not on the
internet yet, but you can get an idea here
Around
1998 came Yorgos "Pontikos" from THE DALTONS (hxc punk) and
replaced our bass player, so we changed the name and became Straitjacket
Fit, focusing on a more post-hardcore/experimental punk sound. We
played at literally every squat/steki in Greece from 1998 to 2013
where we ended playing live shows and disbanded.
1000flights-Which
one
are the bands/artists that most influenced you?
S.F.: We
were all avid music consumers(ha!) so the sound was a mix of what we
listened to and everything else we thought would fit regardless of the
style. Post-punk, anarcho-punk, hxc crust, post-metal, ska, jazz, apart
from the big names such as Neurosis, Faith No More, early Sonic
Youth, Gang of Four, etc, it's useless to keep namedropping
since we were very different in our tastes but very close in our
purpose and vision. Let's just say, from Grind to Ambient and back,
hehe!
Also
lots of anarcho/DIY bands that toured around Greece and we played
with, had been an influence in one way or another, such as the mighty
JE M'EN FOUS from France/Switzerland.
We
were doing the original artwork for every release,(well, I
was..) from the photos, collages, paintings to the final graphic
design and packaging to distribution, a mix of art-loving
provocation, Ad Busters magazine aesthetics, Dada collage, artists
such as Yoshitomo Nara, stencil art and a healthy dose of dark humour
or just dark.
1000flights: Were
you active in Villa Amalias or any other squat in Athens??
S.F.: We played Villa Amalias
the first time in 1999 I think, and then many many times
followed. We consider ourselves, up to this time, a brother-band to
the people that run the place, very close to us, and to bands that
played there, ANATELLON TROMOS (Rising Terror), CHASMA, THE
PARKINSONS, VALPOURGIA NYCHTA (Valpourgis Night), TIMETRAP and more
that we felt we were doing something meaningful together at the
time.
Right from the start, we
took part in the first anarcho diy space"steki Sachtouri"
kind-of-squat in Patras , from its beginning in 1998. We had our
studio there and did a lot of gigs, as well as involved in the diy
concert organising team "Porto Patrasso", at Parartima in
Patras, a major anarcho-political concert place. Learning to record,
sound engineering, set a gig or a recording session from scratch, it
was all part of the game.
For me personally the Villa
years, from the first gig up to its evacuation, was a period that had
a great impact on me as a person and as an artist.
1000flights: How
many gigs did you play? did you ever played outside Greece??
S.F.: We had played, I don't
know, more than 50 less than a hundred gigs around Greece, squats,
free spaces, open areas, public squares, only political DIY. We played
in Liege in Belgium first time in 2002 if I am not mistaken since
our bass player lived in Amsterdam for some time. We toured 2 weeks
Holland-Germany-Belgium in 2008 with KILL THE CAT (ska-punk).
1000flights-The
releases available on your Bandcamp page were printed as tapes/CDs or
vinyl or were these
released only as digital files??
S.F: All the releases on Bandcamp- except the last one "The End" which is a
digital one- are on CD format. Also, the comps we have participated
are CDs but not available now I guess. We consider releasing "The
End" on vinyl by the end of the year, maybe early 2021..we'll
see about that.
1000flights-Are
the lyrics political orientated or what are the subjects in there??
S.F: The lyrics are totally
political, dealing with two main concepts from personal to public,
alienation and social revolution.
I will not repeat the too
commonly used anti-nazi, anti-species, anti-capitalist, anti-whatever
the slogan, we were all that, since contributing to the whole DIY
ethos-self organization and keeping a strong stance as a band from
the beginning to the end. We felt that a more personal way of writing
about these themes was the best to express ourselves artistically and
not losing the target. So the lyrics are a bit more surreal and existential than straight forward, but still political and direct on
their message. Yet not preaching but questioning and inspiring, I
suppose.
1000flights-After
that the band disbanded, you Alex started a few industrial/noise
orientated projects (Grim Machine, Black Faun, The Zyklons)...would
you like to say what inspired you to start such projects ??
Is
any other members of the band at the moment active in other
music/artistic projects/bands?? If so, which ones??
S.F.: While being at Straitjacket Fit, I started a duo of
experimental/playful noise called Black Faun with my crazy friend
Charis (hELLaSH), around 2007. Since then we do live acts and we have
4 releases. It all started as a parallel project to Straitjacket Fit,
so as to express a different point of view soundwise and artistically
speaking. It was the first vehicle for me to play free improvisation
and noise music.
In
2013, in the middle of the financial crisis in Athens, I started Grim
Machine, my personal project, because I wanted to try playing on my
own after the band disbanded, and also to express my personal
emotions about the political situation we were living at. It started
as an industrial/harsh noise project and now it has evolved into more
ritual noise/free impro territory.
Around
2016-7 I met Perseas Rizos, a poet, visual artist and sax player, and
since then we are playing together as the free form/exp.jazz duo The
Zyklons.
I
consider it as an evolution in my playing and interacting in terms of improvisation.
After
Straitjacket disbanded, me and Yorgos played together at the band
SARKA STO ZWO (post hxc) for 3 years and after that we recruited
with Argyris in HAUTE TANZ (post-punk/noise rock). Argyris also plays
in a punk band and Yorgos never stops practising! Regarding the
Straitjacket Fit members, the important thing is that we are friends
first and foremost, so we will never stop playing music together one
way or another.
In this issue interviews to Disaffect, Choas UK, Hellkrusher, Rapture, squatting in North America, UK andWest Pennsylvania punk scene reports, music and book reviews + rants and graphic-works.
A great zine from the crypt of the 90s. Enjoy it. :f(a*r~a*w^a~y_ click me
Another band from Liege (Belgium) with some members of the mighty Hiatus,here a little biography:
"Deafenestration started early 2010 with Phil and Azill playing with other people (who moved on to become local grind merchants Goat Vomit).
For certain reasons lost in the mists of time, things didn't work. So David and Philthy were recruited as drummer and vocalist respectively. Practising began in June of that year
in the deep bowels of La Zone, a local underground (pardon the pun)
the venue here in Liege. The name was decided upon some months later and the legend began."
Created and compiled during the last week of March 2020, this
compilation brings together the sound of artists in isolation creating
music that's reflective of our collective struggle during the COVID-19
pandemic.
Those featured in this edition are of Indian origin but we wish to continue the Social Isolation series with more submissions and create a worldwide artist-listener network.
Great magazine created by Rober Nixon in Surrey (UK) around the mid-80s. I have already posted the Number 2 released in 1985.
In this issue some thoughts by Nocturnal Emissions, articles about Attrition, Nekrophile Recs, Departure, some poetries and quite a few amazing collages/graphic works.
Definitely, a magazine strictly connected with the first wave of industrial music and its wide network.
I already wrote about this fantastic band: compared
to names such as Butthole Surfers and Minutemen, Dawson throws in their
songs sheer violence and electric energy mixing some Avant-guard fast
chaotic guitars riffs, math rhythms, weird vocals and experimental
jingles that make their music original and difficult to categorize.
1. We
formed at 1998, on the remains of a previous band we had, Alex
(voice), my brother Dimitris (guitar) and Argyris (drums) playing
post-punk/darkwave since 1995-6. It was called PICKMAN'S MODEL and
unfortunately, there is only a cd recorded back then, not on the
internet yet, but you can get an idea here
