Full album by this obscure project playing a personal form of concrete/ambient/goth/industrial. Released on the Italian Alampo Records in 2010 in a limited edition of 71 copies as CDr.Strange enough it is not available on the Alampo Records Bandcamp page.
Alampo Records was created in 2001 to release on CDr music from Criopalmos and related projects. Previously the same musicians released on tapes as Lanzoni Records, Bolgia Folk, Noir Tapes and NecroNovi.
Enjoy it.
:f)a`r^a~w*a/y click me
Long and interesting double CD compilation covering a wide range of artists playing abstract,experimental,industrial and ambient music.
No Type is a Canadian netlabel in the experimental music scene since 1998 and this sampler is their first non-MP3 release.Packaged in a cardboard folded sleeve inside a separate cardboard cover. reports quite a few info about the artists included. (official webpage,bandcamp,archive.org)
Enjoy it.
:f*a^r¬a-w)a(y click me
| Bait Disc | ||||
| 1.01 | Le Chien Borgne– | Rho<1 (Rho A > Rho) | 4:22 | |
| 1.02 | James Schidlowsky– | Radio Collision | 4:55 | |
| 1.03 | Tomas Jirku– | I Think I'm In Love | 6:44 | |
| 1.04 | Speech.Fake– | An Objection That Is Immaterial After The Fact | 4:37 | |
| 1.05 | Julie Rousse– | Une A Six Idées Improvisées | 4:25 | |
| 1.06 | Eucci– | Barbizon & Tape | ||
| 3:39 | ||||
| 1.07 | Viratone Ballad– | Ouet3c-Warm | 1:48 | |
| 1.08 | Magali Babin– | Petit Jardin | ||
| 4:56 | ||||
| 1.09 | Camp– | Oeee | ||
| 3:30 | ||||
| 1.10 | Claudia Bonarelli– | They Use Us Back | 3:33 | |
| 1.11 | Ja_dijiste– | Laquinta | ||
| 5:31 | ||||
| 1.12 | Napalm Jazz– | De La Viande Bio | ||
| 2:42 | ||||
| 1.13 | Backstreet Noise (2)– | Sentiment Ecoeurant | 1:51 | |
| 1.14 | N.Kra & eM– | Linoleum | 3:07 | |
| 1.15 | Jon Vaughn– | Bouncing Ball (1 Of 2) + Gravel Road | ||
| 4:15 | ||||
| 1.16 | 833-45– | Spook | 5:29 | |
| 1.17 | Kanovanik– | Tell Me About Death, Mommy | ||
| 5:01 | ||||
| 1.18 | Idmonster– | Deborah And Klaus | ||
| 4:01 | ||||
| 1.19 | V.V.– | Moment 3 | 3:25 | |
| Switch Disc (Or Is It The Other Way Around?) | ||||
| 2.01 | Kalx– | Soundtest | 1:18 | |
| 2.02 | Oeuf Korreckt– | Hooked On Phone Ethics | 3:30 | |
| 2.03 | Sluts On Tape– | The Last And Finest Of Peter Pans | ||
| 5:54 | ||||
| 2.04 | Octopus Inc– | Knife Takes Blood | 4:14 | |
| 2.05 | Alphacat– | Waveporn | ||
| 6:09 | ||||
| 2.06 | Books On Tape– | Baile Del Muerte | 3:31 | |
| 2.07 | Morceaux_de_machines– | Cs-514 | 6:18 | |
| 2.08 | Martindx– | Badjelly | 3:24 | |
| 2.09 | Dick Richards– | Coll Cel Portell | 3:34 | |
| 2.10 | Chris Degiere– | 7 Bev Joggler (DC Offset) | 4:00 | |
| 2.11 | Headphone Science– | Without Paper Basics | 6:04 | |
| 2.12 | Gimp Gadget Oscillation– | Hernosai | 6:05 | |
| 2.13 | Themoonstealingproject– | Why I Have Bags Under My Eyes | 4:48 | |
| 2.14 | Diablatomica– | Hallways And Doors | 3:12 | |
| 2.15 | Kalx– | Couf | 4:19 | |
| 2.16 | Infoslut– | He Dreamt She Was An Atom, She Dreamt He Was Enola Gay | 7:18 | |
| 2.17 | N.Kra– | Metroid Remix  |
Alampo Records is an Italian label focusing on ambient and experimental electronic music (info from Discogs)
| 1 | It Was A Dream | 5:35 | ||
| 2 | Empty | 5:19 | ||
| 3 | It's Strange | 0:29 | ||
| 4 | Malady | 3:31 | ||
| 5 | Come Back Tomorrow | 0:20 | ||
| 6 | DerList | 5:08 | ||
| 7 | I've Left My Mind Somewhere | 0:26 | ||
| 8 | Fancy-free | 3:43 | ||
| 9 | Waste | 0:43 | ||
| 10 | ...End Of Story | 3:38 | ||
| 11 | Error - 10 | 3:12 | ||
| 12 | Still In My Heart | 4:26 | ||
| 13 | You're Quite Right | 2:26 |
Formation from Holland (Tilburg), specialised in blends of
deep techno, subtle trance and ambient soundscapes, mostly redefining
the adjective 'tribal'.
At the end of 1992, Robbert Heynen left the group to concentrate on his solo project Exquisite Corpse.
PWOG went through different line-ups and after a long silence
re-emerged in the 2000's with a remix compilation and a few
appeareances. They dissolved after an final performance at Incubate
2016.
Tim Freeman, Robbert Heynen and Reinier Brekelmans started a new project immediately afterwards; SUMUS.(from Discogs) Facebook, Bandcamp
Formation from Holland (Tilburg), specialised in blends of
deep techno, subtle trance and ambient soundscapes, mostly redefining
the adjective 'tribal'.
At the end of 1992, Robbert Heynen left the group to concentrate on his solo project Exquisite Corpse.
PWOG went through different line-ups and after a long silence
re-emerged in the 2000's with a remix compilation and a few
appeareances. They dissolved after an final performance at Incubate
2016.
Tim Freeman, Robbert Heynen and Reinier Brekelmans started a new project immediately afterwards; SUMUS.(from Discogs) Facebook, Bandcamp
released October 28, 2019
“Revolutions In The Head” represents the almost
transcendental result of “Discipline In The Studio” as members of The
Big City Orchestra, Legendary Pink Dots And Frans De Waard (Modelbau,
Kapotte Muziek and much more) combined to create a stream of 60 minute
soundtracks for a TV station in San Francisco .
If that sounds like a recipe for chaos, then think again. The
concentration involved was almost terrifying, but the satisfaction
displayed when that clock hit the magical 60 minute mark seemed like a
glorious release.
All the music here was recorded in The Silverman’s Attic studio .
Das And Ninah of Big City Orchestra instigated the project and flew to The Netherlands for these sessions.
The first hours involved them, The Silverman and Frans while Edward
Ka-Spel joined for the last part of the penultimate session and the
final hour.
Edward had literally just got off the train from London, tiptoed
upstairs, unpacked his keyboard and various devices, connected the wires
as soundlessly as possible and found his patch in the cauldron. The
“Hellos” were delayed as only 30 minutes had passed of that particular
musical voyage.
When the music was over, there seemed to be a general consensus that
this meeting of minds needed to be heard by a wider audience. A big
thank you to Frans for the hours he spent editing to make this release
possible. click me
attenuation circuit - label for experimental music, we accept only submissions for free download releases
attenuation-circuit@web.de
FELT HAT REVIEWS
The Stone Tapes is the project of Ninah Pixie and dAS from Big City
Orchestra, Edward-Ka Spel from Legendary Pink Dots, Frans De Waard and
Philip Knight.
A mix of interesting and accomplished personalities can be a tricky
terrain but the whole album is a gem. Starts with strong synth lead in
"Trapped in the Wall" - a good start - then moving on to hauntological
narrative of voices and prepared sounds with a bit of radio waves in the
next track.
"Groundbyte" is pretty noisy track of sound sculpture - abstract and raw.
"Late 4 Assembly" is somewhat magical arpeggio of wonder - lightweight and sounding like a trance soundbox.
These are but a few of the tracks that open up a great album where all
the participants nicely jumble up different pieces of the puzzle they
create collectively.
A souvenir, a gem, something that is both rare and unique enough to be remembered more than well.
felthatreviews.blogspot.com/2019/12/revolutions-in-head-by-stone-tapes.html
TONESHIFT
This is a unique collaboration between dAS, Edward-Ka Spel, Frans De
Waard, Ninah Pixie and Philip Knight calling themselves The Stone Tapes
(an unlikely combo of The Big City Orchestra, Legendary Pink Dots and De
Waard). I’m unsure if this is a one-off project but Revolutions In The
Head sounds stunning and nu-psychedelic. It’s trips the mind with
blurred voices and siphoning synths, deep breathing, transistor radio
frequencies and plenty of leftfield spirit.
Tracks like Groundbyte make rings and reverberate into new modified
shapes. The watery trickling like a late night shower permeates into the
darkness. While some of these folks may have worked together in the
past, as a unit they bring their alternate worlds into focus by finding
(un)common threads. It’s sometimes switched-on, dazed but never
confused, combining drone with understated industrial knob fiddling.
Snaking Down Bourbon is a drunken jam fusion, a mish-mosh of orchestral
warp and aching metaphor. But wait for the sizzle of The Clock Always
Stops At Zero to find its light. Between static and harmonization is the
unknown, and that’s where they find themselves, in the grind, afloat.
Just in time for the liquified ambient ending which is deftly haunted.
[ TJ NORRIS]
toneshift.net/2019/11/27/revolutions-in-the-head-by-the-stone-tapes/
1. |
Trapped In The Wall
03:54
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2. |
A Thousand Decimal Faces
06:16
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3. |
Groundbyte
04:10
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4. |
Late 4 Assembly
02:45
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5. |
Crystal Maths
06:08
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6. |
Snaking Down Bourbon
05:51
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7. |
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8. |
Ø Zone
05:03
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Miguel Trost De Pedro (born July 27, 1979), better known by his stage name Kid606, is an electronic musician who was raised in San Diego and later moved to San Francisco. He is most closely associated with the glitch, IDM, hardcore techno, and breakcore scenes.
Kid606's music is similar to the work of his friend and colleague Lesser, as well as hardcore and IDM acts such as Atari Teenage Riot, Autechre, Mr. Oizo, and Matmos. He is primarily inspired not by his electronic contemporaries, but by his love of the industrial music, death metal, and industrial metal of the 1980s and 1990s, particularly bands like Godflesh and Napalm Death.[1] His music is known for its high tempo breakbeats and liberal use of noise and sampling, as well as its punk aesthetic, uninhibited genre-mixing, and irreverent sense of humor. However, he is equally adept at creating more serious tracks that often reside in the realm of ambient and glitch ("Parenthood" from Kill Sound Before Sound Kills You and the entirety of P.S. I Love You being good examples).
Notable releases by Kid606 include Don't Sweat the Technics (VC140: 1998), Down with the Scene (IPC-7:2000), P.S. I Love You (MP93: 2000), and Kill Sound Before Sound Kills You (IPC-46: 2003). He collaborated or participated in the groups Flossin, Spacewurm, Ariel and Disc.[2]
In 2005, he put together a band with a drummer and guitarist called Kid606 and Friends.(from Wikipedia)
Notes
All
songs on this album were created with analog source material (analog
synths, AM/FM radio, microphone) then processed on a computer, then
mixed and mastered to two-track analog tape.
The album cover and title are both a reference to Big Black's album Songs About Fucking, of which Steve Albini was lead singer and guitarist. Also, all of the track titles are anagrams of "Miguel De Pedro", Kid606's real name.
Issued in a clear tray digipak style cover.
The shrink wrap has a sticker on the front.(from Discogs) click me
tigerbeat6.com, brainwashed.com, Bandcamp, Facebook, plus.google.com, Bandcamp, Last.fm, MySpace, songkick.com, SoundCloud, Twitter, YouTube, Wikipedia, brainwashed.com
Nice and old CD compilation introducing a bunch of great acts playing various genres :EBM, Experimental, Industrial, Ambient, Martial, Indie Rock and more.It came out on the German label Dossier,label set up in 1985, focused on experimental and electronic industrial music, now defunct.
Enjoy it.
\f:a>r_a¬w/a~y( click me
| 1 | Helios Creed– | Rolo |
| 2:09 | ||
| 2 | harpy– | Problem |
| 4:38 | ||
| 3 | Lex Talionis– | Valhalla Awaits Me |
| 7:20 | ||
| 4 | Shock Therapy– | The Beast |
| 3:19 | ||
| 5 | Front Line Assembly– | Transmutation |
| 4:53 | ||
| 6 | Delerium– | Turmoil |
| 3:46 | ||
| 7 | Front Line Assembly– | Kill Them All (Dub Mix) |
| 5:44 | ||
| 8 | Shock Therapy– | Urine:Me |
| 4:48 | ||
| 9 | Controlled Bleeding– | Feast Of Fire |
| 6:13 | ||
| 10 | Psychic TV– | E-Lusive |
| 6:09 | ||
| 11 | Helios Creed– | Things They Showed Me |
| 3:27 | ||
| 12 | Tyrone Henderson– | World Beat (Mirage Mix) |
| 5:19 | ||
| 13 | 23rd Century Feat. Damon Edge– | Total Bliss |
| 4:16 | ||
| 14 | Lex Talionis– | I Plant My Seed |
| 5:27 | ||
| 15 | Column One– | East 17 |
| 5:48 |
released December 1, 2011
Free dl from www.laridae.at/releases.php?release=laridae065
| 1 | She Became A Cobweb In My Hands | 4:13 | |||||||||||||
| 2 | Perfidy | 6:23 | |||||||||||||
| 3 | The Frailty Of Angels / The Treason Of People | 22:52 | |||||||||||||
| 4 | Zero Rapture | 8:59 | |||||||||||||
| 5 | The Germ Is Divided | 10:49 | |||||||||||||
| 6 | Phenakism | 6:04 |
